Babel

Or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution

eBook, 560 pages

Published Aug. 22, 2022 by Harper Voyager.

ISBN:
978-0-06-302144-0
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Goodreads:
57945316

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4 stars (10 reviews)

From award-winning author R. F. Kuang comes Babel, a thematic response to The Secret History and a tonal retort to Jonathan Strange & Mr. Norrell that grapples with student revolutions, colonial resistance, and the use of language and translation as the dominating tool of the British empire.

Traduttore, traditore: An act of translation is always an act of betrayal.

1828- Robin Swift, orphaned by cholera in Canton, is brought to London by the mysterious Professor Lovell. There, he trains for years in Latin, Ancient Greek, and Chinese, all in preparation for the day he’ll enroll in Oxford University’s prestigious Royal Institute of Translation—also known as Babel.

Babel is the world's center for translation and, more importantly, magic. Silver working—the art of manifesting the meaning lost in translation using enchanted silver bars—has made the British unparalleled in power, as its knowledge serves the Empire’s quest for colonization.

For Robin, Oxford is …

2 editions

Up and down

4 stars

In the world of Babel, magic works by inscribing similar words onto bars of silver which manifests the difference between the words as spells. What works really great are words in translation, because few translated words have exactly the same meaning.

Babel is the story of Robin Swift, a Chinese orphan with a talent for languages who is brought to England by an professor of translation. China forbids the teaching of Chinese to foreigners, so the British Empire steals young Chinese boys to provide words in translation. It's incredibly exploitative, and Robin starts to learn just what his purpose is meant to be.

As the subtitle implies, Robin gets caught up in opposition to Oxford's use of translators powering of empire. But he also really likes the creature comforts that come with being one favored by the British Empire and would really like to keep those. Can an empire be …

Ends with a bang!

4 stars

What initially starts off as an imperfect blend of Tart's The Secret History and a low fantasy setting akin to Clarke's Jonathan Strange & Mr. Norrell slowly shifts to its actual subject: colonialism. Seen through the lens, not of white saviours nor the faraway colonial subjects, but of it's unique product: people of both worlds, forcefully transplanted, with all the twisted allegiances that come with it. The last third act of the book explodes into a study about struggle and violence, the interwoven working of class and empire, in a way that is seldomly seen in (Western) fiction literature and for this fact alone this book deserves praise and commendation.

A postcolonial, antiracist Harry Potter

4 stars

Kuang's story surprises. This coming-of-age (and coming-of-revolution) story introduces us to a world where the the 19th-century Industrial Revolution is made possible not by steam and worker oppression but by the magical powers of translation and colonial exploitation. The experiences of the protagonist, a Cantonese boy that adopts the English name Robin Swift, lead us to an imagined Oxford that is as intriguing as Hogwarts but that has sins that Kuang not only does not whitewash, but makes the centerpiece of her novel. The historical notes and especially the etymological explanations are fascinating, if occasionally pedantic. Once you get your head around this world and how it works, you'll want to hang on to the end to see how a postcolonial critique during the height of the British Empire can possibly turn out.

Review of 'Babel' on 'Goodreads'

5 stars

This memorable novel is both ingeniously creative and importantly timely in its message. R.F. Kuang weaves together a story that injects magical realism into a novel that is both historical and revisionist. That is, this is a story that asks us to imagine the road not taken at a certain time in history, and the ethics of the decisions of those in power–and question how and why such power came to be, in the first place.

I felt that the characters were well-developed and realistically complex, making it possible for the reader to feel the emotion in their stories. The plot was also well crafted and paced.

Instead of summarizing the plot, I want to simply recommend this novel, which I knew nothing about before I started reading. Part of the magic, for me, was simply reading on to discover the shape of the world as it is created by …

Review of 'Babel' on 'Goodreads'

4 stars

It was good, really good. The characters were interesting and three dimensional and enjoyable, the setting and plot was engaging and high stakes, and the translation lectures were tailor made for language nerds like me.

However, don’t do like I did and go into this expecting a fantasy novel. This is, mostly, historical fiction with a magic system reskinning technological progress in Victorian England.

This is not a knock on it, though, saying that it’s superfluous; it has a very interesting, if specific effect on the reader’s relationship with the world. It moves all of the varied goods and services that imperial Britain used to maintain power over their colonies into one spot and one profession: Oxford translators. As I see it, the silver magic system mostly exists to move the political center of Britain into this area. And I enjoyed it if only for this facet, if not for …

A magical alternative history of Oxford about the physical and cultural violence and slavery of empire and colonisation.

5 stars

Like #TedChiang's ‘Seventy Two Letters’, Babel is set in a fantastical alternative history of England during the Industrial Revolution. In Kuang's universe, the revolutionary tech is yínfúlù, silver talismans engraved with a word in one language and it's translation in another. When a bilingual utters the words, the subtle differences between their meanings are released by the silver, working magic on the physical world. “The power of the bar lies in words. More specifically, the stuff of language the words are incapable of expressing - the stuff that gets lost when we move between one language and another. The silver catches what's lost and manifests it into being.” Like in #UrsulaLeGuin's Earthsea, words have magical power, but also like Earthsea, the magic is taught to adepts in cloistered academies, in Kuang's case the Royal Institute of Translation. Translators are not only key to great leaps in productivity for British Industry, …

Good, but not without flaws

4 stars

Some frustration with footnotes (both spotting the asterix and how Kuang was using them - particularly early on - but there was a moment of clarity later on… but then Chapter 31 happened?!?) and that the queer characters were killed off and never able to tell each other they were head-over-heels (and not in a tragedy style way either)… but otherwise really good.

I love translation and the thought that goes into it - much of which is covered here.

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rated it

4 stars