Hardcover, 180 pages
English language
Published April 12, 1972 by Random House.
Hardcover, 180 pages
English language
Published April 12, 1972 by Random House.
"It is easy to praise Eudora Welty," as Robert Penn Warren has written, "but it is not so easy to analyze the elements in her work that make it so easy—and such a deep pleasure—to praise. To say that may, indeed, be the highest praise, for it implies that the work, at its best, is so fully created, so deeply realized, and formed with such apparent innocence that it offers only itself, in shining unity."
The Optimist's Daughter is Miss Welty's work at its best, and reconfirms Mr. Warren's general tribute, including the difficulty of analysis: Laurel Hand, long absent from the South, comes from Chicago to New Orleans, where her father dies after surgery. With Fay, the stupid new young wife of her father, Laurel returns to her former Mississippi home and stays a few days after the funeral for reunions with old friends. In a night alone in …
"It is easy to praise Eudora Welty," as Robert Penn Warren has written, "but it is not so easy to analyze the elements in her work that make it so easy—and such a deep pleasure—to praise. To say that may, indeed, be the highest praise, for it implies that the work, at its best, is so fully created, so deeply realized, and formed with such apparent innocence that it offers only itself, in shining unity."
The Optimist's Daughter is Miss Welty's work at its best, and reconfirms Mr. Warren's general tribute, including the difficulty of analysis: Laurel Hand, long absent from the South, comes from Chicago to New Orleans, where her father dies after surgery. With Fay, the stupid new young wife of her father, Laurel returns to her former Mississippi home and stays a few days after the funeral for reunions with old friends. In a night alone in the house she grew up in, she confronts elements of the past and comes to a better understanding of it and of herself and her parents.
The simplicity of the story belies its universal implications. This is a story of "the great interrelated family of those who never know the meaning of what happened to them." With unsurpassed artistry Miss Welty shows us Laurel's struggle to come to terms with her father's death and with the life of the small Mississippi town he was so intimately involved with. In trying to deal with people who, like Fay, never even care to understand what has happened to them, Laurel realizes that she too has kept her distance from a shared past. Like so many today, Laurel has lived in a city where she survives by avoiding any real involvement with those around her. It is only the shock of her father's death that leads her to new insights into the relationship between love and death and memory.
Certainly this book will be a rewarding experience to readers of Miss Welty's earlier work. Newcomers will discover its many dimensions and great substance; the large cast of characters and the complexity of their relationships, the rich humor and subtlety of dialogue that reveals without describing, the wideness of scope compressed within the boundaries of a short novel, the wisdom and discernment that underlie the author's vision of human life.