Rainbows End

This is a quasi-DNF, because I've got the last fifth of the novel to go but it's starting to drag, and the protagonist is worthless. It has the feeling of something quickly edited and put to market (perhaps the author needed to fufil a contractual requirement?). Who knows, it's ancient history now.

It's main point of interest is Vinge's take on the proliferation of augmented reality and mesh network technology, and sadly I find his observations pretty plausible - namely that the infrastructure becomes a theatre of war for state actors, which leads to network balkanization and the subordination of all private ownership of technology to the demands of state (the novel has a tinkerer character who has managed to assemble a PC whose CPU isn't 'in thrall' to the Department of Homeland Security). It's sobering to compare the world in the novel to our current-day situation of nation-states hoarding (and protecting) software vulnerabilities for exploitation, zero-click malware vendors like Pegasus, automated-decision defense systems, etc.

I picked up Vernor Vinge's Rainbow's End with a sense of excitement, expecting a hard-hitting, technological thrill ride with the kind of Gibson-esque flair that I absolutely adore. And while the novel certainly had its moments of brilliance, it left me with mixed emotions.

From the moment I read about the young-again poet, Robert Gu, I was intrigued by the concept. It seemed like an interesting twist on the usual sci-fi tropes, and I couldn't wait to immerse myself in Gu's journey. However, as I dove further into the novel, it became clear to me that Vinge was combining elements of a coming-of-age story into his futuristic narrative, which didn't quite suit my preferences. I felt a little out of step with these elements, as I'd been hoping for a more hard sci-fi experience.

As I continued reading Rainbow's End, I was initially captivated by the undercurrent of a global conspiracy that promised to elevate the tension and propel the story forward. However, as the plot progressed, that captivating thread seemed to diminish into a human interest narrative, which, although engaging in its own right, wasn't quite what I had expected or what I was looking for in the novel.

Nonetheless, I had to admire Vinge's world-building skills. The author effortlessly pulled me into a rich and imaginative future that felt both foreign and strangely familiar, offering a profound exploration of technology's increasingly pervasive role in our lives. In this aspect, I felt a deep appreciation for the novel.

Regarding the novel's characters, I found interactions and relationships compelling, and they've left me thinking about them even after finishing the book. These detailed character connections may strike a chord with readers who relish human stories in their sci-fi adventures, even if the overarching narrative isn't what they expected.

So, where do I stand with Rainbow's End? I'd say that it's a well-written and creative book that offers some genuinely engrossing reading moments. However, it might not satisfy everyone, especially those who crave a hard-hitting sci-fi experience or a fast-paced conspiracy thriller. In the end, it's an enjoyable read, but for me, it didn't quite hit the mark I was looking for.