Hardcover, 512 pages
English language
Published Aug. 11, 2015
"With the scope of Dune and the rousing action of Independence Day, this near-future trilogy is the first chance for English-speaking readers to experience this multiple-award-winning phenomenon from China's most beloved science fiction author. In Dark Forest, Earth is reeling from the revelation of a coming alien invasion--in just four centuries' time. The aliens' human collaborators may have been defeated, but the presence of the sophons, the subatomic particles that allow Trisolaris instant access to all human information, means that Earth's defense plans are totally exposed to the enemy. Only the human mind remains a secret. This is the motivation for the Wallfacer Project, a daring plan that grants four men enormous resources to design secret strategies, hidden through deceit and misdirection from Earth and Trisolaris alike. Three of the Wallfacers are influential statesmen and scientists, but the fourth is a total unknown. Luo Ji, an unambitious Chinese astronomer and …
"With the scope of Dune and the rousing action of Independence Day, this near-future trilogy is the first chance for English-speaking readers to experience this multiple-award-winning phenomenon from China's most beloved science fiction author. In Dark Forest, Earth is reeling from the revelation of a coming alien invasion--in just four centuries' time. The aliens' human collaborators may have been defeated, but the presence of the sophons, the subatomic particles that allow Trisolaris instant access to all human information, means that Earth's defense plans are totally exposed to the enemy. Only the human mind remains a secret. This is the motivation for the Wallfacer Project, a daring plan that grants four men enormous resources to design secret strategies, hidden through deceit and misdirection from Earth and Trisolaris alike. Three of the Wallfacers are influential statesmen and scientists, but the fourth is a total unknown. Luo Ji, an unambitious Chinese astronomer and sociologist, is baffled by his new status. All he knows is that he's the one Wallfacer that Trisolaris wants dead"--Provided by publisher.
La historia parece centrarse en ésta ocasión en los vallados, tres hombres con plena libertad para planificar la defensa de la tierra ante la futura llegada de los extraterrestres invasores, que ocurrirá dentro de 400 años. el comienzo me está gustando, cuando lo termine actualizaré la reseña.
The book's premise is fascinating, it tackles quetions about life, cooperation and conflict. But I agree with kab, the author writes misogynisticly with very objectified female characters.
Reading about an ant painstakingly tracing each character on a gravestone signals the early slog. The flatness of the first two parts cannot be pinned entirely on the alternate translator either. The details are dull and offensive. Women squeal and fuss, and when they’re overeducated they calcify. The ones with speaking parts admit that the protagonist is better at their work than they are, or are dismissed as small with no air of authority, or remain nameless and/or are dispatched by violence, or are pure fantasy, insistently innocent and childlike. Colonisers are labelled art-preservingly advanced and the colonised backwards. If you can wade through the carrying over of misogyny and non-Trisolaran imperialism in Liu’s vision, there are some rewards in part three (the teardrop and the cosmic fight for resources are thrilling), still diluted by legitimising a character’s manipulation by threat of suicide, a despair orgy, and rumination-attempts on the …
Reading about an ant painstakingly tracing each character on a gravestone signals the early slog. The flatness of the first two parts cannot be pinned entirely on the alternate translator either. The details are dull and offensive. Women squeal and fuss, and when they’re overeducated they calcify. The ones with speaking parts admit that the protagonist is better at their work than they are, or are dismissed as small with no air of authority, or remain nameless and/or are dispatched by violence, or are pure fantasy, insistently innocent and childlike. Colonisers are labelled art-preservingly advanced and the colonised backwards. If you can wade through the carrying over of misogyny and non-Trisolaran imperialism in Liu’s vision, there are some rewards in part three (the teardrop and the cosmic fight for resources are thrilling), still diluted by legitimising a character’s manipulation by threat of suicide, a despair orgy, and rumination-attempts on the power of love.
This book is in a lot of ways more of everything that Three Body Problem was. It's a huger sweep, a pretty intense exploration of how getting thrown into responsibility can break people, and it builds on a lot of the ideas of the first book about how ununified people would be in response to a threat like this - stuff that now looks rather prescient after a year and a half of covid. It does also suffer from the same weaknesses, perhaps even intensified. In particular there's not much dialogue that is really characters being theirselves as opposed to Liu exploring an idea through his characters. But the good parts were so compelling that this was far from ruining the book for me.
I was left with a few questions, two of which seem like weaknesses of the book: 1) Why did Ye pick Luo to have the conversation …
This book is in a lot of ways more of everything that Three Body Problem was. It's a huger sweep, a pretty intense exploration of how getting thrown into responsibility can break people, and it builds on a lot of the ideas of the first book about how ununified people would be in response to a threat like this - stuff that now looks rather prescient after a year and a half of covid. It does also suffer from the same weaknesses, perhaps even intensified. In particular there's not much dialogue that is really characters being theirselves as opposed to Liu exploring an idea through his characters. But the good parts were so compelling that this was far from ruining the book for me.
I was left with a few questions, two of which seem like weaknesses of the book: 1) Why did Ye pick Luo to have the conversation with that she does in the preface? 2) How did any other humans know that Luo would be important? (that conversation with Ye explains Trisolaris's interest - clearly they'd have been surveilling her intensely) 3) How is there a third book? Three Body Problem left the story with an obvious lead in for a sequel, but the ending to this book could have been a series ending. I am now intrigued and want to see where Liu takes this next.
