Paperback, 240 pages
English language
Published April 4, 1989 by Roc.
Mort is a fantasy novel by British writer Terry Pratchett. Published in 1987, it is the fourth Discworld novel and the first to focus on the character Death, who only appeared as a side character in the previous novels. The title is the name of its main character, and is also a play on words: in French and Catalan, mort means "death". The French language edition is titled Mortimer, and the Catalan language edition is titled Morth. In the BBC's 2003 Big Read contest, viewers voted on the "Nation's Best-loved Book"; Mort was among the Top 100 and chosen as the most popular of Pratchett's novels.In 2004, Pratchett stated that Mort was the first Discworld novel with which he was "pleased", stating that in previous books, the plot had existed to support the jokes, but that in Mort, the plot was integral.
The ending of this book really doesn't make justice for the whole setup and build-up.
One of the Pratchett books that certainly gets worse on the re-read. I will dare to say that both Colour and Light were significantly better as a whole than this one.
Terry Pratchett is what I’ve been missing when reading Douglas Adams. Mort is not just witty, but actually quite touching and even frightening. The humour seems somehow profound, for example when Death explains that everyone gets what they think is coming for them, because “it’s so much neater that way”. This light-hearted fun actually opens up a philosophical can of worms: If I expect a heavenly afterlife together with my family, but my brother expects to be rotting in hell, is the brother in heaven actually my brother? He can’t be, but did I then actually get what I expected? This dilemma is even touched upon later. I much prefer this humour to cliché nihilism.
The characters and storyline in this book really didn't click with me. I felt like Mort was a complete jerk and that Kelli should have totally died. I mean, I'm glad everything worked out in the end but still.
Kuolema hankkii oppipojan kuolevaisten maailmasta. Alkuhämmennyksen jälkeen oppipoika saa hommasta jujun ja alkaa vähitellen hivuttautua mestarinsa asemaan, mikä ei tuotakaan vaikeuksia, koska Kuolema itse on kyllästynyt työhönsä ja etsii sekä huvituksia että alanvaihtoa kuolevaisten maailmasta. Tällä kertaa oli melkoista struggelitavaraa, erityisesti tosimaailmastamme lainattujen kulttuurierojen ympärille rakentuva huumori aiheutti lähinnä myötähäpeää.
